![]() In terms of its relevance to the overall plot, traumatized prom attendee Sue’s (Amy Irving) dream at the end of Carrie is a bit of a jump-scare cheap shot. Here are ten movies with the best final scares that pulled off this tricky little maneuver well, as voted on by Brad Gullickson, Chris Coffel, Kieran Fisher, Rob Hunter, Meg Shields, Anna Swanson, Jacob Trussell, and yours truly. Credits roll and we laugh nervously to cover up for the way we just jumped out of our skin. And then - wha-bam! - the film hits us with one last jolt. After all, once the kid is saved (or killed) and the monster is killed (or escapes), and a sense of normalcy is restored, it’s only natural for us to relax a little bit. The last-minute scare is a trope by now and can sometimes be poorly executed or just plain nonsensical, but it’s still easy to get caught off guard by films that do it well. However, sometimes filmmakers decide to throw something at us once we think the scares are all over, resulting in a nasty little shock that is both impressive and unfair. ![]() We expect to be scared during horror movies. This article on the best horror ending scenes is part of our ongoing series 31 Days of Horror Lists. Most people take that to mean highlighting one horror movie a day, but here at FSR, we’ve taken that up a spooky notch or nine by celebrating each day with a top ten list. The Road is a film with a constant downward trajectory into tragedy, lending itself well to loss, desperation, and starvation.October is defined in Webster’s Dictionary as “31 days of horror.” Don’t bother looking it up it’s true. The son does have a bitter-sweet ending when a family who had been following the father-son duo arrives and offers to take him with them. After being shot with an arrow, he deteriorates significantly and dies, while his son begs him to let him die too. They arrive at the southern coast, which is just as desolate as the rest of the world around them. Slowly, the father's health declines, forcing him to show the son how to survive without him. The film's gloomy color scheme adds to the desperation that comes with fighting the cold and hiding from cannibalistic survivors. The pair is traveling across the country attempting to survive a harsh by world searching for food, shelter, and the coast for a better chance at life. In a post-apocalyptic world, The Roadfollows a father (Viggo Mortensen) and son (Kodi Smit-McPhee) duo as they live through a mass extinction event. The boy leaves, only to repeat the story with a new family. But, it is all for nothing, as eventually, Gemma is placed in a body bag alive and thrown into the hole with Tom. Gemma attacks the boy, and he runs from her she chases him, seeing what the world they were in was truly like. The boy places Tom into an airtight bag and puts him into the very own hole he had created. Tom continues to work on his hole but is suffering from an illness, from which he eventually succumbs to and dies. The infant that they are forced to raise grows at an accelerated rate and quickly becomes a man. ![]() Vivarium gives off a consistent feeling of helplessness throughout the film, and the ending is no different. Eventually, the stress of being held prisoner causes Tom to break, and he starts to dig a hole in order to escape. After several days, a box suddenly arrives in the street, which contains an infant that they have no choice but to raise. This eventually leads to them becoming trapped in the strange neighborhood alone. They stumble upon a strange real estate agency, leading them to a town where everything is a carbon copy of the same house. It stars Imogen Poots and Jesse Eisenberg as Gemma and Tom, a couple searching for a new home together. The film Vivarium is a confusing roller coaster of emotions throughout.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |